by Salman Hameed
This is really amazing. Like Pompeii, sections of an important Byzantine city, Myra, may have been preserved intact in mud. A 13th century chapel has already been found along with a frescos. Here is the story from NYT:
This is really amazing. Like Pompeii, sections of an important Byzantine city, Myra, may have been preserved intact in mud. A 13th century chapel has already been found along with a frescos. Here is the story from NYT:
After some 800 years as an important pilgrimage site in the Byzantine Empire it vanished — buried under 18 feet of mud from the rampaging Myros River. All that remained was the Church of St. Nicholas, parts of a Roman amphitheater and tombs cut into the rocky hills.
But now, 700 years later, Myra is reappearing.
Archaeologists first detected the ancient city in 2009 using ground-penetrating radar that revealed anomalies whose shape and size suggested walls and buildings. Over the next two years they excavated a small, stunning 13th-century chapel sealed in an uncanny state of preservation. Carved out of one wall is a cross that, when sunlit, beams its shape onto the altar. Inside is a vibrant fresco that is highly unusual for Turkey.
The chapel’s structural integrity suggests that Myra may be largely intact underground. “This means we can find the original city, like Pompeii,” said Nevzat Cevik, an archaeologist at Akdeniz University who is director of the excavations at Myra, beneath the modern town of Demre.
And here is a bit more on the fresco:
How classical cities transformed into Byzantine cities during the Christian era, especially between 650 and 1300, is a subject of much scholarly debate.
“Each city was different,” Dr. Jackson said, “and so we need high-quality, well-excavated evidence in order to contribute to the debate about the nature of urban change in this period.”
The fresco in the excavated chapel is especially striking. Six feet tall, it depicts the deesis (“prayer” or “supplication” in Greek). This is a common theme in Byzantine and Eastern Orthodox iconography, but the Myra fresco is different.
Where typically these depictions show Christ Pantocrator (Christ the Almighty) enthroned, holding a book and flanked by his mother, Mary, and John the Baptist, whose empty hands are held palms up in supplication, at Myra both John and Mary hold scrolls with Greek text.
John’s scroll quotes from John 1:29: “Behold the Lamb of God, who takes away the sin of the world.” Mary’s is a dialogue from a prayer for the Virgin Mary in which she intercedes on behalf of humanity, asking Jesus to forgive their sins. Dr. Akyurek said this scroll-in-hand version had been seen in Cyprus and Egypt, but never in Turkey.
Read the full article here.
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